ᠮᠣᠩᠭᠣᠯ ᠤᠨ ᠷᠣᠺ ᠫᠣᠫ ᠤᠨ ᠳᠣᠮᠣᠭ ᠪᠣᠯᠤᠭᠰᠠᠨ ︽ᠬᠠᠷᠠᠩᠭᠠ︾ ᠬᠠᠮᠲᠤᠯᠢᠭ ᠤᠨ 30 ᠵᠢᠯ ᠦᠨ ᠣᠢ ᠶᠢᠨ ᠲᠣᠭᠯᠠᠯᠲᠠ ᠢᠷᠡᠬᠦ ᠠᠷᠪᠠᠳᠤᠭᠠᠷ ᠰᠠᠷᠠ ᠶᠢᠨ 19 ᠍ ᠳᠦ ᠪᠤᠶᠠᠨᠲᠤ ᠬᠤᠸᠠ ᠰᠫᠣᠷᠲ ᠤᠨ ᠣᠷᠳᠣᠨ ᠳᠤ ᠪᠤᠯᠬᠤ ᠪᠠᠷ ᠲᠣᠪᠯᠠᠭᠳᠠᠭᠠᠳ ᠪᠠᠶᠢᠭᠠ ᠪᠢᠯᠡ᠃ ︽ᠬᠠᠷᠠᠩᠭᠠ︾ ᠶᠢᠨ ᠬᠢᠨ ᠣᠢ ᠶᠢᠨ ᠪᠠᠶᠠᠷ ᠲᠤ ᠪᠠᠨ ᠵᠣᠷᠢᠭᠤᠯᠤᠨ ᠴᠣ ᠰᠢᠨᠡ ᠫᠢᠶᠠᠨᠰᠠ ᠭᠠᠷᠭᠠᠬᠤ ᠭᠡᠵᠦ ᠪᠠᠶᠢᠭᠠ ᠪᠠᠨ ᠳᠤᠭᠤᠯᠭᠠᠯᠠ᠃ ᠮᠥᠨ ᠹᠧᠨ ᠨᠦᠭᠦᠳ ᠲᠡᠭᠡᠨ ᠣᠯᠠᠨ ᠰᠢᠦ᠋ᠰᠫᠢᠷᠢᠰ ᠪᠡᠯᠡᠳᠦᠭᠰᠡᠨ ᠭᠡᠨᠡ᠃
ᠲᠡᠳᠡ ︽ᠡᠷᠡᠨ ᠵᠠᠭᠤᠨ ᠤ ᠬᠥᠭ︾ ︵1997︶᠂ ︽Best of Haranga︾ ︵1997︶᠂ ︽ᠪᠣᠳᠣᠯ ᠤᠨ ᠲᠡᠩᠭᠢᠰ︾ ︵2000︶᠂ ︽ᠶᠢᠷᠲᠢᠨᠴᠦ ᠶᠢᠨ ᠥᠩᠭᠡ︾ ︵2003︶ ᠴᠣᠮᠣᠭ ᠢᠶᠠᠨ ᠳᠠᠬᠢᠨ ᠬᠡᠪᠯᠡᠭᠦᠯᠬᠦ ᠪᠡᠷ ᠪᠣᠯᠤᠭᠰᠠᠨ ᠪᠠᠶᠢᠨᠠ᠃ ᠰᠣᠨᠢᠷᠬᠠᠭᠤᠯᠬᠤ ᠳᠤ ︽ᠬᠠᠷᠠᠩᠭᠠ︾ ᠬᠠᠮᠲᠤᠯᠢᠭ ᠤᠨ ᠬᠢᠨ ᠢᠷᠠᠭᠤ ᠨᠠᠶᠢᠷᠠᠭᠴᠢ ᠯ∙ᠥᠯᠵᠡᠶᠢᠲᠡᠭᠦᠰ ᠦᠨ 2012ᠣᠨ ᠳᠤ ᠪᠢᠴᠢᠭᠰᠡᠨ ︽ᠰᠢᠯᠦᠭᠴᠢ︾ ᠰᠢᠯᠦᠭ᠂ ᠴ∙ ᠴᠢᠯᠠᠭᠤᠨᠪᠠᠲᠤ ᠶᠢᠨ ᠠᠶᠠᠯᠭᠤ ᠲᠠᠢ ᠳᠠᠭᠤᠤ ᠪᠦᠲᠦᠭᠡᠵᠡᠢ᠃
